The Royal Monogram of Louis Napoleon, when he was King of the Netherlands.
I don't know about you, of course, but I think monograms are simply beautiful. It is elegant, and one of the oldest forms of identification.
The art of the monogram has a rich history and remains intriguing to me.
A monogram is simply a symbol consisting of the letters representing an individual or family.
Historically: A monogram is "A motif of 2 or more letters, or something graphic, forming a symbol".
Kingdoms used their initials first on coins, then on garments and household goods, weapons, banners and coats of arms to show their allegiance to the ruler. We see this, for example, on Danish coins.
Countries such as Belgium, Monaco and Thailand still use monograms as the national identifying mark.
We find it on coins, flags and the like. They are also used on flags to identify the various members of the royal family.
Going back further in history, we even see Jesus Christ in the form of a monogram, a so-called 'Christogram'. Coming from the Latin 'Christi Monogramma', which means 'Monogram of Christ'. We get the Chi-Ro symbol, which consists of the ancient Greek letters Chi 'X', and Rho 'P', which are the first letters of Christ in Greek.
The Chi-Ro symbol: In the Middle Ages, it was common for artists to use a monogram to make their work recognisable. Nowadays, it is more common to use a signature. Rembrandt simply used 'RH' as a monogram?
As his career took off, it evolved into 'RHL'.
Nowadays, historians even use this to assign an old work to a certain period of the artist.
In colonial America, a time when linen sheets were only available to landowners, the white sheets and pillowcases were given contrasting monograms, so that the slaves could distinguish which was whose after the washing. A three-letter monogram thus became the trend.
It was not long before the Victorians began to use monograms on everything from luggage to wardrobes, from common household linen to silk handkerchiefs. In the South of America, it became a sign of prestige for the family, radiating wealth and knowledge of etiquette. And, admittedly, in this region it is still very popular. We find it especially on handkerchiefs and shirts. Hand-embroidered monograms are mainly found on table linen and tableware.
With the advent of machine, if not computerised, embroidery in the 1980s, it became accessible to just about anything and everything imaginable. An immense popularity as a result!
While monogramming was always very popular in the South of America, a style developed for everyone. In the early 1900's it was more of a status symbol for the rich and famous, but then evolved into special occasion applications during the 'Great Depression' and World War 2. Unless, of course, one was wealthy enough to monogram one's own personal property.
Since then, everything changed and they really became mainstream. It became more of a trend than a status symbol, simply because of its practicality. Today, we see big iconic brands using them as logos.
We are thinking especially of Chanel, Louis Vuitton, Michael Kors, etc...
This aside, the commercial, monograms are found today mainly in tailored suits, on tailored shirts, and on the back of the better watches.
The different variants in design depend on personal taste.
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/04/Monogram-servet-2.png755604Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-04-26 10:57:042021-06-30 10:07:12The monogram as the ultimate personal detail.
Where does the famous Panama hat originate from?
There are many stories floating around the internet. Most of them are wrong, so we would like to tell the official story here.
WHERE DO PANAMA HATS COME FROM?
When the Conquistadores arrived in the present provinces of Manabí and Guayas on the Ecuadorian coast in the middle of the 16th century, they noticed that the natives wore straw hats that covered their ears and necks. The hats looked like toques, like those used by nuns or widows in Europe at the time. That is why they called them Toquillas (little toques). The straw used to make the hats was called "Paja Toquilla".
The basic material for making the famous Panama hats is the palm leaf "Cardulovica Palmata "which is also known by the name of "Paja Toquilla". The plant is cultivated mainly in the mountainous parts of the Costa (coast) and of the Amazon region of Ecuador (Oriente), in the provinces of Manabí, Guayas, Esmeraldas and Morona Santiago.
WHICH COUNTRY MAKES PANAMA HATS?
Authentic Panama hats are made in Ecuador. Several countries now make what they call Panama hats, but Ecuador was the very first. The coastal provinces of Guayas and Manabi began weaving the straw hats in 1630, and the true origins of Panama hats can be traced back to a town called Montecristi (of the Manabi region). At that time, they were usually called "jipijapa", "toquilla" or "montecristi" hats (the last two phrases are still used). Despite the origin of Panama hats, the term "Panama hat" did not come into use until much later.
So the next time someone asks "what country makes Panama hats", or "where do Panama hats come from", tell them that authentic Panama hats only come from Ecuador.
THE PANAMA EFFECT
At the time, there were plenty of reasons for foreigners to mistakenly conclude that the hats came from Panama rather than Ecuador. Many Americans passed through Panama to get to California during the Gold Rush of the mid-19th century. So it was in Panama that they first encountered the wonderfully lightweight and stylish straw hats that would help them on their journey to prosperity. This false assumption of the origin of Panama hats would only be reinforced many years later after Theodore Roosevelt was photographed many times wearing the attractive straw hat while inspecting the Panama Canal.
According to legend, the native hat got its name when Teddy Roosevelt took part in the inauguration of the Panama Canal (1913). As a present he received an Ecuadorian straw hat, and without knowing its true origin, he gave thanks for the so-called Hat from Panama.
Perhaps the most definitive moment in the history of the Panama hat took place when Panama hats were exhibited at the World Fair 1855 in Paris. At the time, nobody was sure which country made Panama hats, so this event would have been the perfect opportunity to clear up the misconception once and for all. However, the country of Ecuador was not mentioned anywhere in the World Expo catalogue, so people were left wondering which country makes Panama hats after all.
By the time people started to realise that the hats were made in Ecuador rather than Panama, it was too late and the name was already too well-known to change.
THE REVOLUTION
None of this would have been possible without Manuel Alfaro, a man who in many ways can be considered the grandfather of Panama hat history. This Spanish entrepreneur arrived in Montecristi in 1835 to make his name and fortune in Panama hat history, where his streamlined manufacturing process, combined with the activities of the Gold Rush boom, ushered in a new era of prosperity.
Soon, the demand for Panama hats spread beyond visiting gold miners. The Ecuadorian port of Guayaquil helped facilitate the Panama hat industry in the 19th century. Ecuador also established its first railway system in 1850, further stimulating trade.
With Alfaro's success came fierce competition. Rival milliners in the province of Azuay and other areas tried to undermine his business with cheaper products, but their manufacturing methods were far inferior. At this point, the growing Panama hat industry split into two sectors. Cheaper Panama hats flooded the rivaal competitors, while the Manabi region proudly continued to produce a superior product using traditional weaving techniques and hundreds of years of experience. To this day, Montecristi hats are considered the finest, most authentic Panama hats in existence - and rightly so.
Once the people of Paris fell in love with this unique Ecuadorian headgear at the World's Fair, London, Rome and other countries soon followed suit. The rare and precious toquilla straw from Ecuador used to make the hats was only popularised in the 18th century when it was catalogued by two Spanish botanists for King Charles the IV. Until then, it had been something of a local Ecuadorian secret. Ecuador eventually allowed trade in toquilla straw with Peru and Colombia, although these countries could not compete with Ecuador's sophisticated handicraft techniques.
THE LEGACY OF ALFARO
At the age of 21, Eloy, the son of Manuel Alfaro, travelled to Panama to take over his father's hat business. His excellent sensibilities and growing reputation would one day make him the leader of Ecuador and also lead the Liberal Revolution of 1895. He led the country to a remarkable social and economic transformation that would not have been possible without the wealth. acquired through the origins of Panama hats.
When Eloy came to power, as President of Ecuador, a new legacy came to the history of the Panama hat. Panama hats became the Ecuadorian fashion accessory of independence and newly celebrated nationalism. New railways spread the hat industry even further as the stylish hats gained momentum.
A NEW ERA
From the middle of the nineteenth century, the production of hats made from toquilla straw reached its peak. Meanwhile, in the Central American country of Panama, about a thousand kilometres north of Ecuador, the construction of a canal that was to form a link between the Atlantic and Pacific Oceans began. The conditions under which the workers had to work digging the Panama Canal were tough. It was hot and humid and the sun shone brightly all day. Hats were therefore indispensable for the American workers, who wore en masse the locally available but Ecuadorian imported hats made of toquilla straw. When they returned to the US, they took the hats with them. The name "Panama hat" was born.
The name and the product became known worldwide when celebrities started wearing the hats.
US President Theodore Roosevelt wore a Panama hat during his visit to the Panama Canal works in 1906.
A photo of him even appeared in the New York Times and subsequently went global.Panama hats continued to receive worldwide press and admiration throughout the turn of the century.
Both fashion magazines and newspapers were decorated with Panama hat lovers. Hollywood embraced the many desirable qualities of the Panama hat, despite the fact that the origin of Panama hats was wrong all along. The exotic hat created a dramatic silhouette that was destined for film, and the masculine image made a perfect impression on audiences everywhere.
Just look at these famous Panama hat wearers from that time:
Theodore "Teddy" Roosevelt
Orson Welles
Humphrey Bogart
Gary Cooper
Galo Plaza (Ecuadorian President from 1948-1952)
Soon other countries made Panama hats from wood, wheat and even palm trees, although their Ecuadorian counterparts continued to reign supreme, especially throughout Europe (the United States, on the other hand, did not seem to mind wearing the cheaper versions. This rule has since changed in modern times). North America was also very interested in the manufacture of these hats.
THE HOED.
The Panamanian trend continued to rise to new heights as designer shops in the United States competed for the most exclusive Panama hats (often referred to as "finos"). Mexico, Brazil and Cuba soon jumped into the fashion fray. By 1944, the hats had become Ecuador's biggest exporter and even beat their lucrative banana trade. The most beautiful panama hat ever woven has an estimated value of $ 100,000!
In 2008, B. Brent Black ordered the most beautiful Montecristi hat ever woven, also known as "The Hat". It took master weaver Simon Espinal, who lives in the village of Pile in the Montecristi canton in Ecuador, five months to weave it, and another four weeks for five more artisans to contribute their part to finish it.
A panama hat is also special: on 6 December 2012, the art of weaving panama hats was recognised by UNESCO as an intangible cultural heritage.
Thierry Stravers is co-owner of Masonic Store.
He likes to combine his passion for style and elegance with his Masonic activities.
Thierry is the owner of Trenicaa marketing agency and is a board member of Loge Enlightenment No.313 O: Hoofddorp.
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/04/c0541d47a58542acfb467737d4f71a87.jpg700700Thierry Stravershttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngThierry Stravers2021-04-19 10:01:392022-04-26 07:49:57The origins of the Panama hat.
The brand's classic Colonia Acqua di Parma is still considered the epitome of craftsmanship and good taste.
The sophisticated alchemy, which was immediately successful and became an evergreen classic, still offers sensations of incomparable freshness and radiance. Pure joy of life released by the sunny essences of the best Sicilian citrus fruits and a harmonious blend of lavender, rosemary, verbena and damask rose. This is followed by warm woody notes such as vetiver, sandalwood and patchouli. Inimitable accords capable of seduction, oblivious of time and fashion.
The Colonia formula has remained unchanged for almost one hundred years.
The elegant Art Deco bottle, with its distinctive Bakelite stopper, has been an undisputed style icon since 1930. The exquisite craftsmanship is reflected in every detail of the packaging, entirely handmade and marked by the coat of arms of the Duchy of Parma and the yellow that has adorned the city's elegant buildings for decades.
A timeless classic.
The founder, Baron Carlo Magnani.
The best inventions are often inspired by personal passion. So it was with the Colonia perfume that was created a century ago thanks to Baron Carlo Magnani. The Baron had an innate sensitivity for art, culture and good taste. He regularly travelled to London, which in those days was a considerable undertaking, and returned with a number of Burberry-trenchcoats and Church-shoes under the arm...
This adventurous gentleman from a distinguished family in Parma searched for a perfume that would suit his modern and sophisticated lifestyle. Paris, London, New York. However, what he could not find was the one perfume that would complete the overall picture of his refined personal style. Back home in Parma, Magnani delved into the matter and defined the character of his ultimate perfume. He knew it had to be modern and fresh, and with a detailed description he approached a Master Perfumer. In 1916, he decided to create his own cologne, which resulted in the classic Colonia, the very first Acqua di Parma fragrance. From all those travels, he drew inspiration for exclusive fragrances. Lavender, damask rose, lemon, bergamot, orange, but for this first fragrance, the founder of Acqua Di Parma was mainly inspired by his homeland, Italy and the burning sun.
Moreover, all the brand's products are produced in this country by craftsmen who work with the very best materials. Simplicity, elegance, craftsmanship, all these adjectives form the identity of the brand, which reveals its many facets in each of its fragrances.
Meanwhile, Magnani himself drew the strikingly modern flacon and devised the distinctive yellow packaging. The company's logo is the coat of arms of Marie Louise, Duchess of Parmawho reigned from 1816-1847. This is a tribute to her reign and the help she gave to develop Parma's perfume and glass industries.
Colonia, Magnani's own creation, was initially sold exclusively at leading tailors and clothes shops specialising in tailor-made suits.
They sprinkled this cologne on the fabric of the suit. Thus was born the image of Colonia as the ultimate accessory, closely linked to the Italian tradition of elegance and tailoring.
At the time, most commercial perfumes were much stronger and heavier in composition; thus, the unusually light and refreshing fragrance from Parma found great success in Europe.
In the 1930s, the growing popularity of cologne led to an increase in its production and the development of its distribution. The 1930s and 1950s are described as a "golden age" for Acqua di Parma Colonia, which became very successful among members of high society, with a clientele of celebrities.
In the 1950s, Hollywood was enchanted by the style of Italian gentlemen. Many American stars wanted a taste of the Italian Dolce Vita and travelled to Europe more than once to visit this country that captured their imagination. Thanks to these prominent Hollywood actors who were flown in by the great Italian film-makers, they came to love and admire the Italian style they saw in grooming products and barber shops. In between filming, the stars took the opportunity to measure themselves for an authentic Italian tailor-made suit in the chic clothes shops and in the process they got to know Colonia.
Carlo Magnani smelled his chance and created a timeless aroma that not only captured American hearts, but, like a shock wave, conquered and enchanted the whole world. With Acqua di Parma, he did more than produce attractive fragrances; he enabled men to immerse themselves in the Italian lifestyle, to feel like a true gentleman.
A new life.
When the family business was taken over in 1993 by 3 entrepreneurs When the family business was taken over in 1993 by people from the Italian luxury industry, a new era began.
Acqua di Parma was given a second youth and a new look, among other things by expanding the perfume line with incense, candles, household linen and leather accessories.
In 1998, the first Acqua di Parma shop was opened in Milan. It was located in close proximity to a number of boutiques of big names in haute couture and pret-a-porter, including Gucci, Prada and Versace. Today, Acqua di Parma's headquarters are still in Milan. Over the years, the brand has expanded its product range with the introduction of a home collection including bathrobes and towels and leather goods.
2016 - 100 years old
1916-2016. Acqua di Parma is a hundred years old. A century of history in which the brand, now more than ever, has become a world ambassador for Made in Italy thanks to the enduring values that are part of its origins and DNA.
A hundred years of knowledge and understanding of quality of the highest level. One hundred years of rigorous Italian craftsmanship in which Acqua di Parma has always applied the most meticulous manual production techniques. Each of its products is manufactured in individually selected Italian ateliers where the secrets of the trade are passed from generation to generation. Each item is made with patience, time and dedication according to the spirit of the oldest master craftsmanship, using only the most precious materials. Rare essential oils, the purest waxes, woods and precious metals, beautifully tactile and visually appealing leather, quality fabrics.
The greatest care has been taken over the smallest details and finishes, starting with the artisans who create the most exquisite fragrances, to those who craft precious scented candles and leather accessories, from those who create elegant accessories meant for the shaving ritual to the craftsmen who handcraft the boxes and attach each label by hand. By following these traditions, the brand has been consistently bringing new classics to the market for a hundred years. Timeless creations that radiate an innate elegance and a unique exclusivity. The purity of the design, the care for every detail, the most exquisite taste and perfection, a modern and evolved conception of luxury that does not need ostentation, but is recognisable by its eternal refinement.
In collaboration with the luxury Italian jeweller Damiani a limited edition bottle of Colonia is launched.
Exclusively for the English department store Harrods, the Centenary Edition Colonia was produced, limited to just 100 numbered pieces, one for each year of Acqua di Parma's fascinating history. The distinctive woody fragrance is presented in an elegant Art Deco bottle, wrapped in a sterling silver casing designed by Damiani and crafted by skilled Italian jewellers.
Finished with delicate embellishments and refined relief details, this distinctive souvenir piece is sure to be cherished for years to come.
One such unique bottle was sold for £750, the equivalent of over €875.
Thierry Stravers is co-owner of Masonic Store.
He likes to combine his passion for style and elegance with his Masonic activities.
Thierry is the owner of Trenicaa marketing agency and is a board member of Loge Enlightenment No.313 O: Hoofddorp.
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/03/1511358788640119-ACQUA.jpg8001423Thierry Stravershttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngThierry Stravers2021-03-28 10:00:262022-03-27 09:23:53Acqua di Parma. The classic Italian cologne.
Etiquette rules. I have not the slightest doubt that you know these 'rules' or the 'roots' that go with them, but a little background information is always nice.
On the contrary, you, my readers here, who I know to hold even these basics in high esteem. The how and why, I try to make clear.
Leave the bottom button of your blazer or jacket open. Origin:
When the new men's fashion reached the British royal family shortly after 1900, a problem arose. For the king was too fat. King Edward VII (still Prince of Wales in the early 1900s) was a real bon vivant.
He ate every day, hold on: a hearty breakfast; full lunch; tea with sandwiches and scones; dinner of twelve courses and a late supper. And on top of that, His Highness smoked 12 enormous cigars and 20 cigarettes a day.
Of course, to keep the digestion going. That is why he did not fit well in his jacket. It squeezed around his belly, and not just when he was sitting down. Edward decided to leave the bottom button of his waistcoat open. That way he could comfortably keep up with the fashion of the moment.
The High Society was often on horseback. When fashion changed and the jacket became part of the costume, King Edward thought that one thing should be kept from the old look. The jacket had to fall open at the bottom, as if you could get on a horse with it. That is why the king always left the bottom button open. So that open bottom button is an homage to the riding jacket. Edward undid the top button because it looked careless and nonchalant.
The High Society followed the king. Out of respect and perhaps also because it was more comfortable. This had a global impact. For the British Empire was at that time the largest empire of all time with a population of over 450 million people.
So what about today?
Well, this old habit has become a standard vestimentary rule. Not only at the level of etiquette, but also in contemporary fashion.
And, very importantly, we admit it, it is also much more comfortable.
Keeping the door open. Origin:
Although everyone thinks that the origin is truly chivalrous, the first gentleman so to speak, the truth is rather to be found in the practical. In the Middle Ages, and later Renaissance, women often wore wide or wide skirts combined with a narrow, tightly fitted corset. Not so obvious to pass through an ordinary doorway. In a large castle or fortress, with their majestic passages, which the ladies of rank were used to, this was not really a problem. But when on the move, a simple movement soon became virtually impossible. For simple practical reasons, the partners, or men, kept the door open so that their lady could pass easily.
It was also a question of not making the people behind wait too long. Since these were ladies of standing, this custom soon became associated with the upper class, and thus with well-bred gentlemen. It soon became synonymous with well-bredness. And now, long after the times of hooped skirts and corsets, it is simply seen as a sign of politeness and 'decorum'.
So what about today?
Nowadays, there are many who regard it as a form of 'benevolent sexism'. I myself, as the undersigned, was once even barked at by a woman (not a lady, because ladies don't bark) because I held the door open for her. As if I can't open a door myself', she said out loud and without hesitation. Well, I should have known: the asymmetry of her earrings and rings, the cropped sides, etc... truly a feminist at its best!
I suppose she thinks so herself. For which she has every respect, although she could have made it clear in another way. However, I experienced it as a pitiful expression of a ridiculous urge to confirm.
After all, it is better to regard it, not as an outdated custom, but as a non-gender-laden gesture of courtesy. Not just towards women or the elderly, but towards everyone. Just a courteous gesture to everyone. In case it is not appreciated by the other party, too bad for them, just smile and go on with your day. In 9 out of 10 cases, the gesture will be appreciated.
This gesture is also valid for opening the door of a carriage, car or automobile.
Take off your hat indoors. Origin:
In earlier days, men wore hats, other types of headdress and armour to protect themselves not only from the natural elements, but also from (potential) enemies. This head-dress was taken off indoors as a sign of trust (we are friends), and also to ensure that outside influences, such as rain, snow, leaves etc, would not fall on other people or meals.
Headgear is also removed at medal ceremonies and when a funeral procession passes by. A hat is worn as a fashion statement, but mainly as protection for your head against the natural elements. If you do not remove your hat indoors, it may be considered offensive by the host.
Sometimes a headgear can make it difficult to see your eyes, or it can cast a shadow on them. That does not look very neat. In the past, you were always asked to remove your hoof because some people hid their weapon on their head in that hat.
What about today?
Just like in times gone by, it shows respect for the place and host or hostess where you are received. Besides, you don't need protection from 'the elements' inside someone's house!
Putting the chair in front of a lady. Origin:
Just like opening a door for a lady, the origin is to be found in the necessary helping of a lady (of stand) , who was uncomfortably dressed. No matter how fashionable it was. There is really no need to look any further. Just a practical, yet gentlemanly gesture.
No more or less. Of course, there is also the theory that in this way, the lady could always see the entrance, and thus notice an incoming threat first.
So what about today?
And again, we have to move away from the commonly accepted that this gesture screams: 'I am only doing this because you need my help'.
The fact that you let a lady sit down first, be it your mother, sister, daughter or partner, only shows that you care about their welfare and comfort.
You give it priority over your own, which is a form of respect. It also gives you the opportunity to give your 'date' the best view.
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/03/Knoop-2.png533800Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-03-22 11:16:382021-06-30 10:07:15A few etiquette rules, and their origins....
Jaguar Classic production of the iconic D-type racing car is to restart in Coventry 62 years after the last example was built in 1956. The first Jaguar D-type to be assembled by Jaguar Classic, a technical prototype, will make its world debut at this week's Salon Retromobile show in Paris. Just 25 new examples of the D-type will be meticulously hand-built at Jaguar Land Rover Classic Works in Warwickshire. In 1955 Jaguar planned to build 100 D-types. With only 75 completed, Jaguar Classic is now fulfilling the company's original ambition by creating 25 all-new period sports cars. For £1 million you can drive one.
The D-type, which won the Le Mans 24-hour race three times between 1955 and 1957, was powered by the six-cylinder XK engine. Every aspect of the D-types built for customers from 2018 onwards is made to authentic, original specifications. Tim Hannig, Jaguar Land Rover Classic Director, said: "The Jaguar D-type is one of the most iconic and beautiful competition cars of all time, with an outstanding record in the toughest and most challenging races.
a sterling record in the world's toughest motor races. And it's just as spectacular today.
"The opportunity to share the success story of the D-type Continuing with the planned production run in Coventry is one of those unique projects that our world-class experts at Jaguar Land Rover Classic are proud to undertake."
He is biased. But it is true that this recreation - which, judging from earlier continuations, is likely to cost more than 1 million pounds ($1.4 million) - is a special car. Compared to the value of the original, it is practically a bargain.
One that was once owned by Bernie Ecclestonethe eccentric former head of Formula One, was put up for sale last month for $12 million at a Gooding & Co. auction in Arizona. Although it did not sell, Sotheby's sold a 1955 D-Type in 2016 for nearly $22 million. At those prices, this new one, for what will probably cost less than $2 million, is practically a bargain.
The D-Type is so special because of its rarity, race wins and body style. Its shape was strongly influenced by the most advanced aeronautical technology of the time, with a monocoque cockpit made of aluminium alloy plates. At the time, designers followed a practice that originated in aviation: putting the fuel in the tail of the vehicle.
The D-type is the third continuation of Jaguar Classic and complements the six missing Lightweight E-types completed in 2014-15 and nine XKSSs built in 2017-18. The meticulous research of Jaguar Classic experts, with exclusive access to Jaguar's original technical drawings and documents, ensures that each new D-type will be built to the authentic specifications drawn up by competition manager Lofty England and his engineers in the 1950s.
D-Type customers can choose between a Shortnose bodywork from 1955 or a Longnose bodywork from 1956. The technical prototype is the 1956 Longnose specification, recognisable by the extended bonnet, distinctive tail fin behind the driver's head, wide-angle cylinder head and quick-change brake calipers. The interior will have the same round speedometer, a thin wooden and metal-perforated steering wheel (with the steering wheel on the right, of course) and a four-speed manual transmission. The steel on the outside will also be the alloy. At the time of its original debut, the car had 250 horsepower and could reach a top speed of 167 miles per hour.
Kev Riches, Jaguar Classic Engineering Manager, said: "Re-creation of the nine D-type derived XKSSs has been immensely satisfying, and an even greater engineering challenge than the six missing Lightweight E-types, but the lessons we've learned from the XKSS project are ahead of the final 25 D-types. They will all be absolutely correct, down to the smallest detail, exactly as Jaguar's Competitions Department intended. "
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/03/1400x-1-2.jpg9331400Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-03-12 10:38:292021-06-30 10:07:16The remake of the legendary Jaguar D-Type Roadster
Khakis came to the western world in the 1800s via the British Indian Army. At the time, the standard British soldier's uniform consisted of white trousers and a bright red, woollen coat. The uniform, which famously earned them the nickname 'red coats', signified power and prestige and successfully intimidated their enemies. However, when Britain expanded into India in the 1800s, their existing uniforms soon became too hot and itchy. Many soldiers were stationed in Punjab, India, where temperatures could reach as high as 48 degrees.
So gave Sir Harry Burnett Lumsdena British military officer stationed in Punjab, instructed his men to take off their red jackets and wear their lighter, softly woven cotton pyjama trousers instead. To better camouflage their white, pleated pyjamas, soldiers dyed them with mud and marazi (a plant native to Punjab), resulting in a drab, beige hue that blended perfectly with their sandy surroundings. They were called 'khakis', which comes either from the Hindi word धूल, meaning 'dust', or the Persian word khāk, meaning 'earth'. No one knows for sure, but it is clear that both terms aptly describe the yellowish beige colour of khakis.
The first khaki trousers were made in 1846, when a British officer serving in the Punjab region traded in his company's warm woollen trousers and jackets for lighter fabrics and looser cuts made from indigenous cotton. The colonial army stationed in India adopted khakis as their uniform trousers by 1848, and it spread throughout the rest of the British Empire until the entire British Army formally adopted the style as their uniform in 1884.
"But what about khaki chinos? Khaki is not only a style of trousers, but also a colour. The stitching on khaki trousers is hidden. Khakis are generally seen as more casual because of the sturdier fabric. Trousers in khaki style have pronounced pockets; chino pockets are hidden.
Hidden pockets add to the stylish nature of a chino. Chinos have flat fronts; khakis can be flat or pleated. This is purely a matter of personal preference, but generally pleated trousers are more traditional. Pleats also help to balance out your proportions if you carry some extra weight in your midsection, or if you are quite broad-shouldered. A flat front is the more modern trouser silhouette that tends to be flattering on a slimmer body type.
Chinos are lightweight, tapered so that they taper down as they fall on the leg, and can be worn with or without cuffs. They generally have a flat front. Chino fabric was a lightweight twill from China (hence the name). The British and French armies both used chinos to make their khaki uniform trousers by the second half of the 19th century. When American soldiers serving in the Philippines during the Spanish-American War needed uniform trousers, they found it cheaper and faster to import from China than from the United States. Their trousers were made simple and tapered, without a pleated front, to save on fabric costs, resulting in a smooth, simple style. The same basic style was used for uniform trousers during the First World War, and returning soldiers from both wars brought them to civilian institutions. University students in particular adopted chinos after WWI, and they have been part of the fashion landscape ever since.
However, enthusiasts have been confused ever since! The basis, however, is that khakis originated as a broad category of military trousers, and a specific subset of these evolved into chinos. Think of khakis as a thicker, more square garment, and of chinos as slimmer, more tapered and neat trousers, you're good!
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/03/history-of-khakis.jpeg409545Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-03-01 14:17:072021-09-18 09:59:15Khaki versus Chinos. Do you know the difference?
Ah, the signet ring. Heavily discussed and criticised. Coat of arms or initials?
Worn with class or ostentatious? And is it real or fake?
For some people just an accessory, for others very meaningful. How come?
Let's take a closer look at what this signet ring actually is.
Traditionally, the signet ring was or is worn on the little finger of the non-dominant hand. For most people, this is the left hand. Businessmen, politicians and nobility used it to print their 'seal' on important documents, or to seal them. Hot wax would be dripped on the document, and the ring would be sealed by pushing an imprint of the coat of arms into it. Clearly recognisable as authentic to everyone, especially in earlier times when the majority could not even read. This type of ring soon became a traditional symbol of family solidarity. The use of seals can be dated back to the Mesopotamians, and so via the Egyptians, who incorporated it into a ring, to the Romans. The signet ring has therefore existed much longer than coats of arms or the emergence of heraldry.
With the rise of the bourgeoisie, it quickly gained popularity. If the middle classes did not have their own coat of arms, they used it anyway, either blank or with
initials, in order to appear sophisticated. If you were very wealthy in the 18th century, a beautiful stone could also be incorporated. The most popular stones were rubies, amethysts, blood stones and cornelians. They were mainly forged in gold, and from the 19th century platinum also became popular.
Nowadays, we also see signet rings being used, for example, to show membership of a certain club, university, regiment or fraternity such as the Freemasons. If one simply likes this kind of ring, and does not have a coat of arms, or does not want to show off the family coat of arms, it can be replaced by e.g. initials, or even just have a plain white surface.
- The Pope has worn a signet ring called 'The Ring of the Fisherman' ('Piscatory Ring') since about 1265, with an effigy engraving of Saint Peter.
- When the Pope dies, this ring is ceremonially destroyed by hitting a cross into it with a hammer.
- The study of seals is known as sigillography or sphragistics.
- In the British Museum in London is a ring ring with the name and function of an Egyptian high priest.
- If the bearer died, the ring was also destroyed to prevent counterfeiting or plagiarism of the noble seal.
-Traditionally, we can state as a basic rule that one does not wear a ring to which one is not entitled. Signet ring etiquette means that this is not acceptable because of the high value placed on the meaning. You must earn the right, and inappropriate to wear a symbol of something you are not or have not earned.
-And then there is the discussion about how the ring will be worn. With the image towards oneself or towards the outside world?
Towards oneself as a daily reminder of the meaning, or towards the outside world to be recognisable?
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/02/Zegelring-2-Vrijmetselaarswinkel.png658658Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-02-21 09:44:212021-06-30 10:07:18About the signet ring.
Writing about a writer when you are not one yourself. Not so obvious. But hopefully we will all read a bit more. With these uncertain Corona times, we sit at home and inside more. And after watching all the Netflix, isn't a good book what everyone can enjoy?
Well, a book is written by a writer. He stows away his stuff in a bag that is fairly typical. Many models resemble each other in style and size. Many brands and many models, though. And just as there are qualities among writers, there are qualities among bags. Practically all of them have one thing in common, they last or will last a lifetime, and it is getting harder and harder for the owner to part with them.
The kind of bag you become one with. The kind of bag that you hope can tell its own stories.... An authentic bag!
An iconic writer's bag is that of the American writer F. Scott Fitzgerald. The bag has had a long and hard life, has been repaired several times, and famous manuscripts have originated and been kept in it. A writer's bag is also a very nice thing, all the more so because it is not just any bag, but a bag with a purpose.
"An author ought to write for the youth of his own generation, the critics of the next, and the schoolmaster of ever afterward". - F. Scott Fitzgerald.
We are discussing a French reissue, a contemporary replica as it were, inspired by the old bag of Mr. Scott Fitzgerald. We assume that a good bag contributes to the writing quality of its owner. This craftsmanship is therefore an ode to this famous writer.
"The easiest way to get a reputation is to go outside the fold, shout around for a few years as a violent atheist or a dangerous radical, and then crawl back to the shelter." - F. Scott Fitzgerald
As I appreciate both good writers and traditional craftsmanship, this bag from French company Blue de Chauffe immediately caught my attention. And not just for its stylish looks and nice quality, but especially because there is quite a nice story attached to it. And so the story goes...:
Evan is an American. For the birthday of his girlfriend, who is a writer, he is looking for an original present. He is thinking of a handbag or something similar. While looking online for a while, he suddenly stumbles upon a very unique item; Scott Fitzgerald's personal bag, with his name printed on it, above the address of the former publishing house that printed his books.
Evan, who had been a fan of Blue de Chauffe for years, contacted the company to ask if it would be possible to personalise one of their own bags like the Scott Fitzgerald writer's bag. At the time, however, it was not possible for them to answer that question, but they loved the idea. So they decided to simply reissue this original writer's bag in its entirety, with the option of personalisation: the initials being embossed into the leather, like a timeless engraving".
Made from the strongest French natural tanned leather, they simply named the bag 'Scott', and it has become a real must-have. Quite elegant, very masculine too, and can be worn on the handle or over the shoulder with a strap. The unconventional twist lock is made of solid brass, which makes the whole look stylish. And, admittedly, there is room for a 13-inch laptop, which is certainly not contemporary, but a large tablet will fit in without a problem. The interior is easily accessible. The 'Blue de Chauffe' label, with handwritten production date and signature of the craftsman who made it, is stitched on a felt inner pocket. A detail for some, but I can certainly appreciate it. An eye for detail!
This inner pocket is even removable: Very handy for smaller items, such as keys, fountain pen and the like!
Handmade in France from vegetarian tanned leather. Nowadays, more than 90% of leather worldwide is tanned with chromium and other chemical components. At Bleu de Chauffe, however, they take a different approach. The natural leather-tanning process ensures better quality ('sustainability' is not an empty concept here), is very pleasant to the touch and has the advantage that the leather acquires a really beautiful patina over the years.
The more you use the bag, the more beautiful it will become.
Not a hip, slick designer bag, but a stylish yet sturdy men's bag! A bag for the connoisseur.
And that is a special bag, which after a number of years, has its own story to tell. Like the original bag of Mr. Fitzgerald himself:
Would that bag know that Francis Scott was a poor student and miserable at spelling?
That he started writing diligently just before his military service for fear of not having a legacy if he was killed?
That 'The Great Gatsby', which had been in this bag, would not have its great success until after the author's death?
That its owner was a close friend of that other famous writer, Ernest Hemingway, who, however, found Scott's wife Zelda to be a hindrance to his writing potential?
That its owner, although not without wealth, never owned a house and moved every few years?
That he would be taken between 1920 and 1940 to New York City, Connecticut, Minnesota, Long Island, Paris, the French Riviera, Rome, Los Angeles, Delaware, Switzerland, Baltimore and North Carolina?
If only bags could speak, you would think!
Dimensions: 38 cm x 28.5 cm x 7 cm / suitable for laptop or tablet up to 13-inch. The colour is applied by hand, and therefore varies slightly from bag to bag. Handcrafted!
A piece of craftsmanship to cherish. A bag for life, why not make it an heirloom?
If you don't have the time to read 'The Great Gatsbywatch one of the famous film versions, and in between watch the bag.
You may get a better understanding of F. Scott Fitzgerald from it, and appreciate the craftsmanship of this bag.
More information about the bag and the producer can be found on the website www.bleu-de-chauffe.com. A French company that understands and feels quality, natural materials, and, as a tribute to a great writer, at the request of a customer, creates a bag, with the respect it deserves, for life!
No matter which bag you choose, as an attaché case or as a work bag, an authentic writer's bag shows the world that you are not susceptible to trends and hypes. That you don't allow yourself to be trapped by designers or fashionable. After all, you have nothing to prove. You are who you are, you undoubtedly have a fascinating story, and you go for the real thing.
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/02/Scott4.png570649Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-02-09 09:43:392021-09-18 10:00:22Scott. The iconic writer's bag reissued by France's Bleu De Chauffe.
Undeniably, we can state that the charismatic John Fitzgerald Kennedy or JFK, was one of the handsomest, and certainly best-dressed of all American Presidents. But much also has to do with his personal style. As former alumni of both Princeton as Harvard he was, evidently, also an adept of the well-known preppy Ivy-League style that characterises it.
He was therefore a loyal supporter of chinos, penny loafers, grey jumpers and the well-known oxford shirt. As president, however, and in office, things were a bit more formal. But overall, we can say that he exuded a certain air of cool. Let us discuss some of these style characteristics here. Of course, we have to translate these into a contemporary framework, but the classics remain the classics, of course. We cannot discuss everything here, but we will stick to some basics.
Wear the right jacket or suit. It is well known that JFK brought both the blue blazer and the Harris Tweed sports jacket to the White House.
His suits were always grey or dark blue, sometimes with a fine pinstripe. Mid-collar, 2-button, soft shoulders without padding (a personal modification of the classic Ivy League style), (usually) slanted pockets,
with or without a flap, and, strange but true, no centre or side slits on the back.
But then again, that is something typically American. A simple white handkerchief or pocket square completed the look.
Discreetly folded, with 1 point visible.
Most of his jackets and suits came from Brooks Brothersan American icon.
He was even such a fan of it that he had personalised umbrellas made for the witnesses at his wedding in 1953,
with their initials embroidered on them. According to 'witnesses', he even wore dark blue boxer shorts of the brand, with his initials on them.
And yes, you have noticed, he also closed the bottom button of his jacket. Oh well, as POTUS you are apparently allowed to do that.
The versatility of the dressy white shirt.
Their nail-white shirts contrasted well with his suits and jackets. White is also a logical colour, because it goes with everything, and can always be used in any combination. The collars had short points, and were even spread, and the sleeves were always finished with double cuffs.
Some of his dress shirts, like the one we saw when LIFE following him on his campaign tour in 1960, even had the JFK monogram on the left breast. Being president of the most powerful nation in the world also gave him some advantages.
For example, he wore gold 14-carat cufflinks with the presidential seal at the front and his signature and initials at the back. He regularly gave them out to friends or visiting heads of state. Some are even reaching the market now and are being sold or offered for around $10,000. A real gadget for the enthusiast, I would say.
Trousers! Whether on a golf course or sailing in Maine, JFK had a strong preference for white trousers, preferably still showing his ankles. He preferred to wear a wool cardigan over an Oxford shirt. Combine this with penny loafers or deck shoes, and you have an ad
by Ralph Lauren. White trousers in summer may seem a bit cliché to many, but in style they are very common. Worn by other younger and older style icons, such as Harry Styles, Pierce Brosnan or Daniel Craig, they are a common sight not only in the Mediterranean region, but also at e.g. nautical events worldwide.
But enough about the white trousers. More general now! Always without pleats, with turn-ups, and only a small or a 'kink' on the shoes.
Usually combined with a black leather belt with a classic rectangular buckle. The belt was rarely visible because he usually kept his jackets closed when standing up. Just as it should be. As a president, he always wore socks or stockings adapted to the suit, which also has a lengthening effect.
The trousers, with fairly narrow legs for that time, were always well ironed with a clear crease. His chinos or slacks, on the other hand, and his white trousers, were always creased. He wore this really casually, usually without socks, or with brightly coloured socks. Considering his preppy background, this makes sense.
The classic Wayfarer, or is it not? Our friend JFK was more than regularly buckled in with sunglasses on. Most suspect they are the classic Wayfarer by Ray-Ban goes.
The model in general does indeed resemble it, and is also typical of the time. And, very importantly, it also fits the shape of his face perfectly.
Of course, as a dedicated sailor, he often wore sunglasses, but this did not stop when he landed.
He preferred a nice tortoiseshell or horn design. And we have to admit, he looks just fine with it.
A trait he was all too aware of.
To return to the Wayfarer story.... Providence Optical did an extensive research, and could identify 3 different glasses: American Optical TC74-51, Cabana TS 2505, and Universal Optical "Mansfield Square" glasses.
Voila, now we know that again! Of course he also wore military Aviators, like at the Naval Academy in 1961.
Ties. He kept them simple. Either striped or geometric, and of course always in natural silk. We do note, however, that he wore the striped rep-ties the English way. So the stripes in the opposite direction than what was usual in the USA. His ties were also slightly narrower than what was customary at the time. Many of his ties were blue. And this will also have its reasons.
Blue has a soothing effect. It radiates peace, creates trust, inspires cooperation and constructive thinking.
It may be just a theory, but the fact is that he often wore them, and was a peaceful, easy-going president.
Off-duty, we know that he often wore bow ties, another Ivy trademark. Especially beautiful combined with tweed of course.
Put something nautical in your outfit. JFK has been an avid sailor since childhood, and this is reflected in the rest of his life.
As he himself once said: 'It is an interesting biological fact, that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, our sweat, and in our tears. We are tied to the ocean."
And of course we're not just talking about the classic red jacket, nylon or otherwise.
Unfortunately, it is very common nowadays in dubious quality and design.
In his scarce free time, he was rarely to be found on land. His personal sailing boat, the 25-footer 'Victura', which he got from his father on his 15th birthday, was his favourite.
We see this in his outfits: Nautical blue polo shirts, navy blazers with copper or gold buttons, pale jumpers, white trousers, chinos, boat shoes or white canvas trainers, cable jumpers, and of course sunglasses.
He knew how to combine it all just perfectly.
What time is it? One of the accessories that JFK loved were watches. Flat, rectangular and made of gold was his preference. With a brown alligator strap.
The Omega "Ultra Thin" watch of the President, called "Stockdale watch", in 18 carat gold with engraving: "President of the United States John F. Kennedy from his friend Grant", was worn at his inauguration in 1961.
The watch is now in the possession of the Omega museum, at the brand's headquarters in Biel, Switzerland.
Once you have found the watch that suits you best, it will be inseparable. Therefore, it does not have to be a luxury watch.
Often, 'less is more'. A classic model, easy to combine, and which you feel good about.
In general, his taste was not so refined, but he knew what looked good on him, felt good in it, and that is what he radiated.
And that is the most important thing.
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He works for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/02/JFK-Style-Vrijmetselaarswinkel-3.png572922Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-02-02 10:38:562021-06-30 10:07:20JFK. Presidential style icon.
We have already spoken at length about the pinstripe and lime stripe, but what about other well-known fabric patterns for a (tailor-made) suit? Apart from the striped suits, there are of course the plain fabrics, which do not need any additional explanation as far as the motif is concerned, because it is not there. But there are other common variants. We discuss the most well-known ones here.
The Glen Plaid, or Prince of Wales (Prince de Galles)
The name of the fabric comes from 'Glen Urquhart plaid', also known as the 'Glenurquhart check'. Also known on the mainland as the 'Prince de Galles' or 'Prince of Wales' check. Its origins can be found in the Glenurquhart Valley in Inverness-shire, Scotland. The motif became popular with the Duke of Windsor when he was Prince of Wales, which explains the other name. In other words, we can say that it is not a Welsh pattern, but truly Scottish.
It is (mostly) a woolen fabric, with a woven pattern of overlapping large and small checks. The pattern is best described as 2 dark and 2 light stripes alternating with 4 dark and 4 light stripes.
This gives a diamond pattern of irregular squares. Usually, in the most classic form, a black and white combination of yarns is used, which gives it a grey appearance. In exceptional cases, a red, green or blue yarn is incorporated, which draws a larger but subtle diamond in the pattern.
President Ronald Reagan was considered un-presidential in a grey-blue Glen plaid during a European trip in 1982. And Cary Grant wore the iconic suit in the 1959 American spy-thriller 'North by Northwest'.
The 'Bird's Eye', also called 'œil de perdrix'.
I do not know what the correct Dutch name is, and it is also very difficult to find. The pattern looks like small diamonds or bird-eyes because of the very repetitive weaving method. Originally in cotton or linen, it is a very strong fabric, and therefore mainly used in men's clothes.
Perfect for formal wear, especially in summer. This is because the fabric can be made very light and therefore has a fine breathability. The cotton variant in particular is perfect for a spring or summer suit.
You can easily clean the fabric with an ordinary clothes brush and some steam to remove the creases. However, you should always hang the suit or jacket on a good hanger, especially the looser varieties, to ensure that the shape is preserved.
The Cock's Foot: "Pied-de-Poule" or "Houndstooth".
The motif consists of broken diamonds, or abstract quadrangular shapes. Classically made in black and white, but also very beautiful in other colours. If one has a very fine small version of the 'houndstooth', it is called a puppy-tooth. The French name is inspired by the imprint of a bird's foot. The method of weaving makes it a very strong fabric.
The pied de poule motif first appeared in the West in the 1930s. In the Netherlands, pied de poule is called hound's-tooth or windmill motif, in England it is called hound's-tooth, cock's-tread or crow's-foot design and in Germany it is called Hahnenschritt.
The motif is introduced during the weaving process by means of a twill weave* in combination with a certain sequence of colours in the warp and weft threads.
Edward VIII of the United Kingdom often wore suits with this motif, which quickly increased its popularity.
Herringbone.
The herringbone pattern dates back to the Roman Empire, where it was used in buildings and roads. This interlocking paving system is built on a base of crushed stone, which cleverly absorbs the pressure of traffic and footsteps, making it extremely stable and durable.
This innovative way of creating roads was revolutionary because cultivating a powerful infrastructure of Roman roads was vital for the preservation and development of the Roman state.
Herringbone can also be traced back to ancient Egyptian jewellery worn by the elite.
However, the earliest herringbone fabrics were found in ancient Italy. How appropriate that herringbone is now an essential fabric used in the making of menswear! This distinctive fabric design also found its way into historic Irish textiles, which were often used in rustic tweed suits.
The herringbone pattern, usually in will, is very popular for suits and "outerwear".
We find the pattern frequently in Tweed, for example.
The classic windowpane
Just like the English origins of the brands that made it their leitmotif, the tartan, or rather the
sees the beginning of its history in Scotland. The endless combinations of warp and weft of this woollen fabric gave life to the colours of the clans that made up Scottish society in the sixteenth century and to their traditional kilts.
It then became the uniform of official occasions under the reign of King George IV in 1822, but no one could have imagined how far this vicar would go.
The windowpane has gained a lot of popularity in recent years, especially among younger suit wearers.
The big advantage is that the windowpane makes a skinny man look a bit firmer, and the heavier man look a bit slimmer.
The pattern is also very versatile in its combinations, and even if you are colour-blind you can always get away with it. They are usually not perfect squares, but rather rectangles. So they are slightly longer than wide. This enhances the optical effect, by the way.
Raphaël van den Poel, former fashion consultant of Scapa, Reinhard Frans and Atelier NA tailored suits,
writes our weekly blog on gentleman matters. He writes for MYX Magazine, a Flemish luxury lifestyle platform.
He also has his own blog which you can read here: http://belgiandandy.blogspot.com
https://vrijmetselaarswinkel.nl/wp-content/uploads/2021/01/Prince-de-Galle2.jpg7621200Raphaël van den Poelhttps://vrijmetselaarswinkel.nl/wp-content/uploads/2020/11/Vrijmetselaarswinkel_logo-2.pngRaphaël van den Poel2021-01-24 19:40:382021-09-18 10:01:50What is that pattern called again? Suits and their fabric.
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While monogramming was always very popular in the South of America, a style developed for everyone. In the early 1900's it was more of a status symbol for the rich and famous, but then evolved into special occasion applications during the 'Great Depression' and World War 2. Unless, of course, one was wealthy enough to monogram one's own personal property.
